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Like a Virgin (song)

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It was released on October 31, , by Sire Records as the album's lead single. The song was written by Tom Kelly and Billy Steinberg , and produced by Nile Rodgers ; Steinberg said that the song was inspired by his personal experiences of romance. Records after listening to a demo sung by Kelly. Rodgers initially felt that the song did not have a sufficient hook , but subsequently changed his opinion after the song was stuck in his mind.

Musically, "Like a Virgin" is a dance-oriented song, composed of two hooks. Madonna's voice is heard in a high register while a continuous arrangement of synths are heard along the bassline. The lyrics of the song are ambiguous and consist of hidden innuendo, interpreted in different ways. It became her first number-single on the record charts in Australia, Canada, Japan, and the United States, while reaching the top ten elsewhere. The song's music video portrayed Madonna sailing down the canals of Venice in a gondola, as well as roaming around a palace wearing a white wedding dress.

With the video, scholars noted Madonna's portrayal of a sexually independent woman, similarity of a man wearing lion's mask to that of Saint Mark , and the link between the eroticism in the video and the vitality of Venice. Madonna has performed the song in seven of her concert tours. Most of the time, her performances of "Like a Virgin" were associated with strong reaction and uproar from the media.

The Edge of Reason. Family groups sought to ban it as they believed the song promoted sex without marriage. On the other hand, Madonna's public persona of an indomitable, sexually unashamed, supremely confident woman was widely accepted by the younger generation who emulated her style and fashion. Scholars have credited "Like a Virgin" as the song which cemented her position as a pop culture icon.

The idea for the song originated when Steinberg was living at his father's vineyards in the Coachella Valley , and driving a red pickup truck one day. That inspired the lyrics for "Like a Virgin" about how he coped with the difficult situation. When he took the song to Kelly, they decided that it would be a sensitive ballad , however they could not decide how the word "virgin" would fit in it. I was saying Kelly recorded the demo, and invited Michael Ostin of Warner Bros.

Madonna replied:. I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person, and I certainly wasn't a virgin, and, by the way, how can you be like a virgin? I liked the play on words; I thought they were clever. They're so geeky, they're cool. I never realized they would become my signature songs, especially the second one.

Later, Rodgers had second thoughts: It sounded really bubble-gummy to me, but it grew on me. I really started to like it. He later said: So let's do it. When Madonna recorded it, even as our demo faded out, on the fade you could hear Tom saying, "When your heart beats, and you hold me, and you love me Madonna must have listened to it very, very carefully because her record ends with the exact same little ad-libs that our demo did. That rarely happens that someone studies your demo so carefully that they use all that stuff.

We were sort of flattered how carefully she followed our demo on that. Jason Corsaro, the record's audio engineer , persuaded Rodgers to use digital recording , a new technique at the time which Corsaro believed was going to be the future of recording because test pressings always sounded consistent. Once the track met with everybody's approval, Robert Sabino added the keyboard parts, playing mostly a Sequential Circuits Prophet-5 , as well as some Rhodes piano and acoustic piano , while Rodgers also played a Synclavier.

Madonna, although not required, was present every minute of the recording sessions and the mixing process, Corsaro commented: She never left". Composed as a dance-oriented song, the intro of "Like a Virgin" consists of two hooks. It is composed in the key of F major with Madonna's voice ranging from the tonal nodes of low-tone G 3 to high-tone C 5.

The bassline also has some similarity with Michael Jackson 's " Billie Jean " especially during the second verse. Madonna sings the song in her high register while drum arrangement by Tony Thompson is heard alongside the bassline, which is also supported by a synthesizer arrangement, giving it a circular progression through all the seven diatonic chords of I—IV—vii o —iii—vi—ii—V—I.

Regarding the lyrics, Madonna had commented: He said that for women who were really virgins, the song encouraged them to hold their compose before they engaged in their very first sexual act. For sexually experienced girls, the song meant that they would be able to re-live the feelings of their first sexual encounter all over again.

He added that the song, and " Material Girl " from the same album, made Madonna an icon. He added that both overshadowed the rest of the record, "because they are a perfect match of theme and sound. Dave Karger from Entertainment Weekly , while reviewing the album in , felt that the song came off a bit repetitious and immature when compared to the present context.

The song debuted on the UK Singles Chart on November 17, at number 51, and peaked at number three on January 12, ; it spent a total of 18 weeks in the chart, [31] and was certified gold by the British Phonographic Industry BPI for shipment of , copies across United Kingdom.

Madonna was portrayed as a knowing virgin, a figment of the pornographic mind, as she walked through marble rooms, wearing a wedding gown. It alternated with scenes of a provocative-looking Madonna on board a gondola. But then we wanted to go back in time and use myself as an actual virgin.

As she steps down into the city, she moves like a stripper and undulated sinuously. She wears a black dress and blue pants with a number of Christian symbol embedded jewelry around her neck. A number of game-playing involving carnival masks, men, lions, werelions are portrayed with allusions to eighteenth-century practices and Saint Mark. The intrusion of a male lion, confirmed the underlying bestial discourse of both mythological fairy tale and pornographic sex.

Whiteley observed that in the video, Madonna's lover wears the lion's mask and while cavorting with him, Madonna sheds the veneer of innocence and shows her propensity for wild animal passions. Having instilled desire, metaphorically she turns her lover into a Beast. I thought he was going to take a bite out of me so I lifted the veil I was wearing and had a stare-down with him and he opened his mouth and let out this huge roar.

I got so frightened my heart fell in my shoe. When he finally walked away, the director yelled 'Cut' and I had to take a long breather.

But I could really relate to the lion. I feel like in a past life I was a lion or a cat or something. With the video, scholars noted the expression of Venetian vitality in it. Author Margaret Plant commented: Madonna appeared to challenge such brutality and stretch the boundaries of tolerance in the video. As the lion-man carried Madonna to the Venetian palace, it symbolized an instance of the Saint taking the simulated Virgin, where Madonna became a symbol for La Serenissima , the Republic itself.

Plant also noted that Madonna, in the video, restored the energy and eroticism of Venice, which had its name taken from Venus in familiar elision. As she exchanged her blue top for a black one during the video, Madonna demonstrated her mastery and bravery of the city, which had a reputation of turning out its visitors as victims.

She was moving into serious spectacle. The Virgin Tour video release. Madonna performed "Like a Virgin" at the first MTV Video Music Awards in , where she appeared on stage atop a giant wedding cake dressed in a wedding dress, adorned with her "Boy Toy" belt buckle, and veil.

It is considered by critics and academics as "one of the most important and most unforgettable VMA performances ever". Madonna again donned a wedding attire and the performance featured a quotation from Michael Jackson's similar-sounding Motown -style single, " Billie Jean ". Balloons floated out towards the audience as she rolled around the stage, carrying a wedding bouquet in her hand. The Virgin Tour recorded in Detroit, Michigan. Madonna took off her outfit piece by piece, until she was standing in a black corset , and ended the performance while flirting with a young male dancer who played her bridegroom.

Who's That Girl: Live from Italy , filmed in Turin, Italy, on September 4, The performance garnered a lot of attention, particularly when police in Toronto, Canada, threatened to arrest Madonna and charge her with indecency unless she altered the performance. Madonna refused and the show went ahead unaltered. The threatened arrest failed to materialise. The overplayed accent and three-quarter time signature gave the performance a sense of parody.

Dietrich's look in the film Morocco inspired the whole performance. In April , while promoting her ninth studio album American Life , an impromptu acoustic performance of the song was done by Madonna at New York's Tower Records.

The performance started with Britney Spears emerging from a giant cake singing the first few lines. She was later joined by Christina Aguilera and both of them writhed on the stage while singing. Madonna appeared on the cake dressed as a groom and sang "Hollywood", and ultimately kissed both Spears and Aguilera on the mouth. During the Confessions Tour in , the song was given a horse riding theme.

Gary Hill from Allmusic called the composition as "very funny and obnoxious". Eugene Chadbourne from Allmusic commented: Brown played by Tarantino himself insists that "Like a Virgin" is a "metaphor for big dicks".

When Madonna met Tarantino at a party after the film was released, she gave him an autographed copy of her Erotica album, signing "Quentin: The song also appears on the soundtrack of the film Moulin Rouge! The Edge of Reason , the title character teaches the song to women in a Thai prison, after becoming annoyed that they are singing the song badly. She tells them, "Madonna is nothing if not a perfectionist! However, when her assisting surgery, Lexie Grey starts singing along, Christina looks venomously at her until she quiets down.

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